Iran’s Elections Could Complicate U.S. Plans to Renew the Nuclear Deal
But won’t derail them.
June 11, 2021
Sholem Aleichem meets Quentin Tarantino.
Set in 19th-century Poland, the Israeli writer Yaniv Iczkovits’s 2015 novel has as its protagonist Fanny Keismann, who joins up with a motley crew of shtetl outcasts to hunt for her deadbeat brother-in-law. Recently published in English as The Slaughterman’s Daughter, the book gets its title from the profession of Fanny’s father, who has taught her the art of killing beasts in the kosher fashion. Adam Kirsch, in his review, describes it as a “picaresque tale” that “combines martial-arts bloodbath and Gogolian satire, feminist fantasy, and Zionist parable.”
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What the New York Times doesn’t consider fit to print.
Which may explain why it often goes hand-in-hand with anti-Americanism.
Sholem Aleichem meets Quentin Tarantino.
Before Moses and Abraham, there was trade and agriculture.