“The Last Unicorn” as a Reflection on Jews and Judaism after the Holocaust

Peter S. Beagle, who turns eighty on Saturday, has behind him a six-decade career as a novelist, and is still writing. A native of the Bronx with literary aspirations, who was born into a family of Jewish artists and rubbed elbows with Ken Kesey, Beagle, as Michael Weingrad puts it, “could have ended up an American Jewish novelist trailing belatedly after Saul Bellow and Philip Roth or an occasional surrealist like Bernard Malamud or Cynthia Ozick, an observer of and sometime participant in the counterculture.” But while he experimented in a number of genres, Beagle stands out from this group by writing several works of fantasy, most importantly the 1968 The Last Unicorn, for which he is best known. Weingrad comments on this book’s subtle, but inescapable, Jewish themes, which go far beyond the fact that one of its main characters is a wizard named Schmendrick: