Don’t Blame the U.S. for Iranian Bellicosity
“Maximum restraint” amounts to giving in to blackmail.
June 19, 2019
In Yiddish, “Fiddler on the Roof” Sheds Its Mushy Universalism
This Tevye is no “sweetie-pie Jew.”
In a glowing review of the Yiddish-language production of the classic Broadway musical Fiddler on the Roof, John Podhoretz finds in it the ultimate refutation of what he calls the “sweetie-pie Jew,” a figure who has long been a staple of American popular culture, and was created as an antidote to the Jew of anti-Semitic stereotype. Podhoretz traces this “cuddly and lovable creature who asks for so little” back to the radio comedy The Goldbergs, which premiered in 1929. While the original Fiddler on the Roof of 1964 effectively turned its protagonist Tevye—a character created by the Yiddish writer Sholem Aleichem—into just such a Jew, the Yiddish version manages to reverse the transformation:
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Login or SubscribeJune 19, 2019
Israel’s Judicial Tyranny and Its Anti-Democratic Defenders
The Supreme Court acts independently of both law and the constitution.
The British Christian Volunteer Who Fought for Israel’s Independence
Tom Derek Bowden, in memoriam.
German Neofascists Have Longstanding Ties to Palestinian Terrorists—and to BDS
Meet Karl-Heinz Hoffman and his “military sports group.”
In Yiddish, “Fiddler on the Roof” Sheds Its Mushy Universalism
This Tevye is no “sweetie-pie Jew.”