A Glimpse into the Religious World of Early-Modern Jewish Women

Written and first published in the late 16th century, and taking its title from a verse in the Song of Songs, the Ts’enah Urenah is a Yiddish Pentateuch that draws freely on midrashic and medieval interpretations, folklore, and rabbinic ethical literature to produce something far more than a translation. The resulting work, in the words of Adam Kirsch, is, on the one hand, “didactic” and filled with “useful moral lessons” and, on the other hand, able to “adorn biblical stories with imaginative details, bringing them to more vivid life by piling new myths and miracles on the old ones.” The book’s intended audience was Jewish women, although many men read it as well. There is no doubt, Kirsch writes, that it did much to shape the worldview of Glikl of Hameln (1646-1724), a well-to-do German Jewish woman who documented her remarkable life in her even more remarkable diaries: