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Jewish Museum OY
A view of "OY/YO," an aluminum sculpture by Deborah Kass featured in the Jewish Museum's new exhibition of its permanent collection. Jewish Museum.
Monthly Essay

May 2019

The Wreck of the Jewish Museum

By Menachem Wecker

From its priceless collection of artworks, a foremost cultural institution has harvested mainly inferior examples for display, while submerging Jewish identity in a sea of “universal values.”

A banner identifies the building at the corner of Fifth Avenue and 92nd Street—in one of the world’s most prominent neighborhoods for art—as the city’s venerable, 115-year-old Jewish Museum. Its collection of about 30,000 objects makes this among the most important such institutions anywhere and, according to its website, one of the oldest remaining Jewish museums in the world. Downstairs, at the museum’s outlet of Russ & Daughters café, customers devouring the herring, knishes, and blintzes are assured that everything on the—also venerable—menu is under kosher supervision.

Upstairs, however, is a different story. With its recent, ballyhooed revamping of its permanent exhibition, the museum has squandered a priceless opportunity to be the hub for contemporary Jewish conversation, education, and memory. In so doing, it has also departed drastically from its founding mission as a champion of Jewish culture and practice.

It wasn’t meant to be this way.

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